Interview with David Cantero

Take it or leave it; that seems to be the chief maxim for erotic gay comic book author David Cantero (Cartagena, Murcia; 1972), regarding not only his work but also his life attitude in this unsettling world. Just find out by yourselves.

SPANISH GAY FICTION: As for your work as a whole, you seem to have specialized in erotic comic book. Thus, what led you to create Boxing Julián?

DAVID CANTERO: I have always been interested in sex. I think there is no story without sex. Sex moves the world more than we think! [Laughs.] With Boxing Julián, I wanted to show how difficult it is for some people in this society to live with themselves, with their sexuality.

SGF: How was the response to your comic book?

DC: I had a very nice feedback from readers; some of them recognized themselves in the character, and they shared with me their personal experiences. I felt touched by these testimonies.

SGF: How important is Boxing Julián to you?

DC: My stories are all special to me. Back then, I was very happy with the character design for this comic book. Today, twelve years after, I cannot even look at it! [Laughs.] I did it a long time ago, and now I just see errors everywhere! [Laughs.]

SGF: Have you ever been familiar with a similar situation in real life?

DC: Yes! Unfortunately, it is a pattern that repeats itself too many times in our society ― Maybe not so extreme, but in different degrees.

SGF: Do you think that there is always a tormented homosexual behind a homophobe?

DC: [Laughs.] Not always! But yes! It is usually true!

SGF: The world of fiction has always found boxing appealing as a theme. What is your opinion about this sport? Is there any previous work that has been inspiring for Boxing Julián?

DC: I chose boxing because it is a very manly sport with a lot of physical contact. It is brutal and direct. It fit very well with the character, and it was perfect for channeling his rage. The movie Rocky really helped me, actually!

SGF: Ben’s quiet attitude towards Julián’s aggressive behavior is really painful. Why did not he report Julián to the police?

DC: I did not want to delve into Ben’s nature that much; I just wanted to show a nice guy. We never know if he is gay. . .We never know why he did not sue Julián. . .I like this kind of endings, making the reader think!

SGF: Do you feel that the toxic couple relationship that Lola and Julián represent is still recurring nowadays?

DC: In my opinion, these situations will never end while education and religion still continue to create strong stereotypes for men and women.

SGF: Do you think that Julián will eventually do to Lola what his father did to his mother?

DC: Of course! Even worse! [Laughs.] I had an idea for a sequel to this story, where we would see Julián, Lola and their son twenty years later ― Maybe I will do it!

SGF: You have previously worked in collaboration with other scripters. Why did you create Boxing Julián alone?

DC: In general, I work alone. I have many stories and series. It is rare that I make collaborations. At present, I am (sometimes) collaborating only with Patrick Fillion for the series The Brigayde for Class Comics Inc.[1]

SGF: How would you define your style as illustrator?

DC: My style is a mix of European comic books (such as The Adventures of Asterix), Marvel comic books, and Japanese animation. I am in love with the line; inks are very representative of my style. A definition for my style? Well. . .I do not know. It is just the way I like to draw!

SGF: Julián is a dreaded character; however, his design is really alluring. Did you make this contradiction deliberately?

DC: Sure! There is nothing more disturbing than someone to hate and desire at the same time!

SGF: Are your characters physically based on actual people?

DC: The characters are not real persons; I created them according to their personality. . .I always think of details for the characters because they make them strong.

SGF: Apart from the fact that you were born in Cartagena,[2] I feel a Mediterranean air throughout the comic book. Did you want to depict a lifestyle that you know first-hand?

DC: I created this story when I was living in a village near Tarragona.[3] This place was full of Juliáns!!! [Laughs.] I thought that this background was perfect for the story!

SGF: Can you tell about your upcoming projects?

DC: Right now, I am drawing the episode 7 of the series The Brigayde, written by Patrick Fillion. You can see my working progress at Patreon. This year, I will be working on my series Exodus (Volume 5), and probably Dibearcity (Episode 2). I am also working on my children’s books for my other publisher, La Cantera Editorial: my next book, Sky and Heart, is just in process.

---

[1] Owned and operated by Patrick Fillion and Robert Fraser, this independent comic books publisher has specialized in gay erotic-themed comic books since the beginning of the 21^st century.

[2] This tourist Spanish destination is located in the autonomous community of Murcia, by the Mediterranean south-eastern coast; it is famous for its Roman Theatre, the naval base, and the Carthaginian and Roman parade, among other attractions.

[3] Port city located in northeast Spain on the Golden Coast by the Mediterranean Sea; the location contains significant remains from the Ancient Rome.

The Beast in the Beauty

On David Cantero’s Boxing Julián

This time in spanishgayfiction.blogspot.com we present quite a disturbing experience: a 2008 comic book dealing with the most ultra-violent homophobia.

In the first pages we find Julián, a promising small town boxer achieving an easy victory in a fight; when in the locker room, he is praised by Paco, his boxing trainer, and Lola, his sexy fiancée. When they leave Julián alone, he cannot help jacking off by looking his magnificent nakedness over closely; after this, Julián punches the wall furiously: it means the first indication for the reader that there is something about Julián.

Paco decides to hire the services of Benjamín, Ben; a hot, blond, angel-faced physical therapist. All of a sudden, Julián shows an unexpected rough-and-tumble towards the boy, trying to hide (or should I say making clear instead?) a powerful sexual attraction. From the very beginning Julián wants to leave proof of his discomfort: he likes neither queer nor sassy people who would ever dare to contradict him. Paco will need to mediate so that Ben does not quit promptly after an abrupt, vehement outburst from his protegé. . .resulting in Ben exhibiting his mouth-watering chest after Julián stretched the gorgeous therapist’s tank top.

Lola pays a visit to her man at the gym; the moment she lays her eyes on Ben she openly claims that the cutie is really stunning. Immediately afterwards, Julián calls her bitch and menaces her. After this, he pushes Lola to the restroom, and there he fiercely attempts anal sex ― vainly: Ben is in his mind, so Julián loses his erection. Lola meekly tries to give him a blowjob, but Julián’s reaction is hitting her hard.

After a massage session, Julián asks Ben whether he is a fag; Ben avoids the question. (As a matter of fact, Ben’s sexuality may be the biggest mystery of the comic book.) Later, Julián jokingly encourages Ben to give him a blowjob, but Ben leaves the room all annoyed ― has Ben got tempted to do it, at least for one second?

During a fight, our cocky boxer remembers how his father used to attack him physically and verbally when he was a weepy child; his father justified himself by saying that he hated pussies, and he told his harassed sonny to have big balls to face life. At the end, Julián gives his opponent a cruel beating, and Paco threatens to leave: Julián has to stop fighting that dirty in the ring, since he has been about to finish his rival off.

In the middle of the subsequent massage, Julián bitterly tells Ben to go away: he does not want Ben to see that he has cummed all over himself while Ben was squeezing him.

Through another journey to the past, we see that Julián was witness to his mother’s dying at his father’s hands. Young Julián took hold of his savage daddy’s gun ― he was a policeman ―and shot him. This memory heavily seizes Julián while having sex with Lola, to the point of almost choking her to death. When Lola gets over, Julián apologizes groaningly and tearfully; Lola, mad about her macho, forgives his bad manners.

The time of the final combat is coming, and the prize money will do Julián good for the upcoming wedding ceremony. He keeps teasing Ben with insults such as queer. Like Lola, Ben also forgives and keeps a submissive attitude towards the ferocious fighter.

Julián eventually wins the fight, and they all go out partying. In the disco, Lola asks the psyched-up victor to stop drinking, as it turns him aggressive. Julián tells her to leave with Paco, and Ben promises Lola that he will help Julián be back home safe and sound. At the wee hours of the night, on their way out, Julián gets audacious sneakily and lewdly: he beats and assaults Ben in a dark, lonely place.

The ending of this dreadful story is just terrible. Lola, oblivious to what is happening around her, is making the guest list for their wedding, and she suggests her betrothed to invite Ben. Julián flatly refuses, basing his resolution on Ben’s ultimately leaving him high and dry. The image of a bruised, wounded Ben walking down the street and exchanging glances from a distance with a sinister (and defiant) Julián puts a terrifying end to this troubling story.

No doubt this is a significant story about homophobia and violence, depicted by Cantero in a brutally visceral way. His illustrations are as attractive as disgusting, leading to a flawless portrait of Julián’s double identity: a bewitching object of desire on the outside / a frightening demon on the inside. We find particularly worthy of the most enthusiastic praise the pages concerning Julián’s recalls about his shady past (his monstrous father; his miserable, dummy-like mother); there, red, black and a blazing white are the cardinal, over-suggestive colors to show the ultimate horror.

The design of the main characters is also creditable; the contrast between the pair of hot men, the shiny Ben and the shadowy Julián, smoothly reveals the central conflict of the story. Regarding the details, the tattoo that Julián shows on his arm ― the name of his girl on a bleeding heart pierced by a sword ― is too meaningful about Julián’s darkest instinct, Lola’s cursed fate, and the comic book’s overwhelming lesson: Violence begets violence. In sum, a provocative work of art.